1  Ecce carissimi…………………………………………………………….John Taverner
Ecce mater nostra Hierusalem cum                          Behold our mother Jerusalem with
magno affect clamat ad nos et dicet,                         great compassion cries out to us and says
“Venite, filii mei dilectissimi,                                        “Come, my most beloved sons,
Venite ad me.”                                                            Come to me.”

T   The first piece is  a rare work by John Taverner, one of the most gifted of English composers from any time period.  He was arrested early in his career for his association with Lutherans, but was let go because he was only a musician.  This is a processional in two parts, intended to be sung as priests entered the church.
 O Lord God, the Heathen are Come into Thine Inheritance…William Child
O Lord God, the heathen come into thine inheritance: Thy holy temple have they defiled, and made Jerusalem an heap of stones.  We are become an open shame to our enemies: a very scorn and derision unto them that are round about us.  Lord, how long wilt thou be angry: shall thy jealousy burn like fire forever?  O remember not, our old sins, but have mercy upon us;
For thou art the Lord our God, and thou, O Lord, will we praise for evermore



2    As the Reformation progressed in England, the puritan faction labored to take over both the church and the government.  This they accomplished in 1642 and began to eliminate all choral singing and organ playing in churches throughout Great Britain.  The composer William Child set these words from Psalm 79 to be performed at the final choral service at Windsor Castle in 1644, not knowing if he would ever again write music for the church.  As it turns out, Child lived to be 91 and lasted most of the 17th century and went on to compose music for future coronations.


0 comments :



Copyright 2014 by Collectio Musicorum.
Blogger Templates by GeckoandFly | Blog customization by Jeff C. Li and Philip D. Reid.
Image 'Musical Society' by Abraham Bosse (1604–1676) circa 1635.
No part of the content or the blog may be reproduced without prior written permission.